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Willmann Sophia

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Edward Lear, The Parrots, Solinas Francesco, Willmann Rainer, Willmann Sophia
Taschen 2009, ISBN: 978-3-8228-5274-3
7618руб Купить
Edward Lear may be best known for his nonsense verse, but in his early years he excelled as an illustrator of birds and reptiles. This set of 42 hand-colored lithographs, originally entitled Illustrations of the Family of Psittacidae, or Parrots, was the finest achievement of his relatively brief career as a natural history draftsman, before failing eyesight led him to concentrate on his writing. During Lear’s time, live parrots were rare and much sought-after, bought and sold for large sums by wealthy amateurs of natural history, and prized by 19th century European aristocracy for their astonishing plumage and mimickry of the human voice. Naturally, fine drawings of them were also highly prized. One of the first collections entirely dedicated to the species, Parrots includes African, Australian, and American parrots bred by eminent ornithologists such as Sir William Jardine and Prideaux John Selby, who sponsored Lear, inspiring and directing his work. Unlike other avian illustrators who often worked with stuffed birds, the young and prodigiously talented Lear (1812-1888) made his drawings from live parrots, capturing their expressions and movements in remarkably lifelike illustrations. The new medium of hand-colored lithography facilitated the vivid elegance of Lear’s work. Издание на английском, французском и немецком языках.
Shell - Muscheln - Coquillages, Carpita Veronica, Willmann Rainer, Willmann Sophia
Taschen 2009, ISBN: 978-3-8365-1111-7
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Antoine-Joseph Dezallier d’Argenville (1680-1765) was a French courtier, intellectual and amateur natural historian. Fascinated by seashells, he authored one of his era’s most lavish books, dedicate to the rarest and most beautiful examples. La Conchyliologie ou Histoire Naturelle des Coquilles de Mer, d’Eau Douce, Terrestres et Fossiles, published in 1780, was a summation of 18th century conchology, with drawings so vivid they sparked a Parisian fad for natural history. The natural beauty of seashells has enchanted cultures around the world since time immemorial. The «recreation of the eye and mind» inspired by them has been celebrated in literature and throughout humanist circles across Europe since antiquity: in his De oratore, the classical scholar Cicero extolled the value of the leisure and friendship cultivated by two friends who spent their leisurely hours collecting shells. These wonderful marine forms-"the artifice of nature"-were considered capable of elevating the spirit and stimulating the senses, as well as refining the taste and creativity of artists. Throughout history, their innumerable shapes, crenulations, and vast variety of colors and patterns have inspired painters and jewelers, architects and textile designers, sculptors and furniture makers, gunsmiths and glass-blowers. TASCHEN’s complete reprint of these 80 splendid hand-colored copper engraved plates, rendered in exquisite detail and the subtlest colors, is taken from one of the finest original copies. About the authors: Veronica Carpita studied art history at the University of Pisa. Her numerous publications focus on antiquarian and scientific collections, such as Agostino Scilla’s seminal work of conchology, La vana speculazione disingannata dal senso, published in 1670. Sophia Willmann studied biology, and specializes in the behaviour of marine organisms. In 2007 she took part in whale research at the Port Elizabeth Museum, South Africa. She is also the author of children’s books that focus on biology. Rainer Willmann holds a chair in zoology at Gottingen University, is director of its Zoological Museum, and is co-founder of its Centre for Biodiversity and Ecology Research. A specialist in phlogenetics and evolution, he conducts research into biodiversity and its history. Издание на английском, немецком и французском языках.

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